Электронная библиотека Финансового университета

     

Детальная информация

Magee, Paul. Suddenness and the composition of poetic thought / Paul Magee. — 1 online resource. — (Performance philosophy). — <URL:http://elib.fa.ru/ebsco/3274352.pdf>.

Дата создания записи: 10.01.2022

Тематика: Poetics.; Poetry — Authorship.; Performance poetry.; Poétique.; Poésie — Art d'écrire.; Poésie-performance.; Performance poetry.; Poetics.; Poetry — Authorship.

Коллекции: EBSCO

Разрешенные действия:

Действие 'Прочитать' будет доступно, если вы выполните вход в систему или будете работать с сайтом на компьютере в другой сети Действие 'Загрузить' будет доступно, если вы выполните вход в систему или будете работать с сайтом на компьютере в другой сети

Группа: Анонимные пользователи

Сеть: Интернет

Аннотация

"Employing an extensive archive of interview materials with major Anglophone poets, this book uncovers how they think in the moments of composition, providing a lucid account of the links between poetic composition and live performative thinking"--.

Права на использование объекта хранения

Место доступа Группа пользователей Действие
Локальная сеть Финуниверситета Все Прочитать Печать Загрузить
Интернет Читатели Прочитать Печать
-> Интернет Анонимные пользователи

Оглавление

  • Cover
  • Half Title
  • Series Page
  • Title Page
  • Copyright Page
  • Dedication
  • Contents
  • Acknowledgements
    • Permissions
  • Introduction
    • Cognitive Constraint
    • Suddenness Defined
    • The Question Driving This Book
    • Approach
    • Notes
  • Part I: Revising towards Spontaneity
  • Chapter 1: We Do Not Know What We Are Going to Say Until We Have Said It
    • The Split
    • Not a Fast Writer
    • A ‘Kind of Tightrope Walk in the Composition’
    • The Length of a Moment
    • Notes
  • Chapter 2: ‘That’s the Illusion You’re Supposed to Get’
    • ‘The Lyric’s Collective Voice’
    • Telling More Than We Can Know
    • In a Nutshell
    • Notes
  • Chapter 3: Scepticisms
    • Notes
  • Part II: Two Histories of Sudden Verse
  • Chapter 4: Romantic Revision and Its Others
    • A Sixth Sense
    • What Is Revision?
    • Suddenness at Last
    • Notes
  • Chapter 5: The Iliad and The Odyssey Were Rapidly Composed
    • The Balkan Epics Were Rapidly Composed
    • Critiques and Impacts
    • Relevance to Written Literature?
    • Coda
    • Notes
  • Chapter 6: The Desk as Stage
    • Performing on the Page
    • Author Being Multiple
    • Notes
  • Chapter 7: Oral Verse in Performance
    • The Art of Telling Stories
    • The Art of Keying One’s Audience
    • The Art of Thinking by Speaking
    • Speech Written Down?
    • Notes
  • Part III: Writing Is Speaking
  • Chapter 8: Not-Quite Speech
    • Parryan Literary Criticism?
    • Speech-Like by Convention
    • Notes
  • Chapter 9: Writing as ‘Oral Dictated’
    • Speaking for the Page
    • Hearing while Reading
    • ‘Worked Over Speaking’
    • Dictation
    • Notes
  • Chapter 10: Consciousness as a Window of Three Seconds
    • Spoken Thought
    • Topic
    • Notes
  • Chapter 11: Song
    • Notes
  • Part IV: Suddenness and Art
  • Chapter 12: The Split in the Archive
    • Poets’ Objections to the Idea of Originality
    • Notes
  • Chapter 13: ‘Great Goblets of Magnolialight’
    • It’s Forty Past Five
    • Peleiadic Achilleus
    • Email Me a Receipt
    • Intensifying
    • Notes
  • References
  • Index
  • About the Author

Статистика использования

stat Количество обращений: 0
За последние 30 дней: 0
Подробная статистика