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Table of Contents
- Linguistic Foundations of Narration in Spoken and Sign Languages
- Editorial page
- Title page
- LCC data
- Table of contents
- List of contributors
- List of abbreviations
- Approaching narration across modalities: Topics, methods, perspectives
- 1. Introduction
- 2. Perspective
- 3. Contributions to this volume
- References
- A new technique for analyzing narrative prosodic effects in SLs using motion capture technology
- 1. Introduction
- 1.1 Perceptual studies of prosody and fluency
- 1.2 Production studies of fluency and prosody
- 1.3 Prior kinematic work
- 2. The present study
- 2.1 Procedure
- 2.2 Analyses
- 2.3 Results
- 2.4 Summary
- 3. Conclusion
- Acknowledgements
- References
- 1. Introduction
- Language structure and principles of information organization: An analysis of retellings in Japanese, German, and L2 Japanese
- 1. Introduction
- 2. Grammaticised notions in Japanese
- 2.1 Markers of the point of view
- 2.2 Aspect system
- 3. Information organization in Japanese narratives in contrast to German narratives
- 3.1 The global temporal structure
- 3.2 The role of the global topic entity in information organization
- 3.3 Discussion
- 4. Information organization by German adult learners of Japanese
- 4.1 Data collection
- 4.2 Method
- 4.3 Results
- 4.4 Discussion
- 5. Final remarks
- Acknowledgements
- References
- Texts as answers to questions: Information structure and its grammatical underpinnings in narratives and descriptions in German and English (topic and anaphoric linkage)
- 1. Introduction
- 2. Texts as answers to questions
- 3. Language specificity in information organisation
- 3.1 Macro structural planning in narratives and object descriptions in English and German: the role of grammar
- 3.2 Descriptive passages in film re-narrations in English and German
- 3.3 Temporal relations in film re-narrations in English and German
- 3.4 Object descriptions
- 4. Discussion and conclusions
- Acknowledgements
- References
- Discourse prominence and the selection of anaphora – evidence from pronouns in historical German
- 1. The role of discourse prominence in the choice of anaphora – introductory remarks
- 2. Previous ways of determining salience in pronominal choice and resolution
- 3. Case studies
- 3.1 Data and method
- 3.2 Case study I: 3rd person pronouns vs. simple demonstratives in OHG
- 3.3 Case study II: her/ther/theser vs. (g)ener in OHG
- 4. Conclusion
- References
- Text editions
- Secondary literature
- A centering theoretic account for the changing usage of anaphoric expressions in the history of German
- 1. Introduction
- 1.1 Aims of this paper
- 1.2 Centering theory
- 2. Anaphoric expressions in modern German from a centering perspective
- 3. Old High German – does centering play a role for the choice of anaphoric expressions?
- 4. Later periods
- 5. Conclusions
- References
- 1. Introduction
- On the processing of free indirect discourse: First results and methodological challenges
- 1. Introduction
- 2. Theoretical background
- 3. Experimental evidence
- 3.1 Materials
- 3.2 Pilot 1: Off-line questionnaire study
- 3.3 Pilot 2: Expert rating
- 3.4 Experiment 1: Self-paced reading
- 3.5 Experiment 2: Self-paced reading and memory test
- 4. General discussion
- Acknowledgements
- References
- What is a Narration – and why does it matter?
- 1. The mystery of Narration
- 2. What is a Narration?
- 2.1 Micro-structural conceptions of Narration: The sequence of events
- 2.2 Macro-structural conceptions of Narration: The double-layered structure of discourse
- 3. The anatomy of the double-layered structure of Narration
- 3.1 The case of Free Indirect Discourse (FID)
- 3.2 The How and What of narrative discourse
- 3.3 Is there a narrator at all?
- 3.4 Who speaks?
- 3.5 Interim conclusion: The configuration of narrative discourse structure
- 4. Narration in oral story telling
- 5. What about fictionality?
- 6. Why it matters
- References
- Reporting vs. pretending. Degrees of identification in role play and reported speech
- 1. Introduction
- 2. Perspective
- 2.1 Two notions of perspective
- 2.2 Perspectives in role play
- 2.3 Perspectives in direct and indirect speech
- 3. Differences between role play utterances and speech reports
- 3.1 Metalinguistic marking
- 3.2 Communicative intention
- 3.3 Embodiment
- 4. Hierarchy of identification
- Acknowledgements
- References
- Ways of expressing action in multimodal narrations – The semiotic complexity of character viewpoint depictions
- 1. Introduction
- 2. Analyzing multimodal narratives
- 3. Exemplification of the method
- Step 1. Description of articulators involved in the character viewpoint depiction
- Step 2. Meaning analysis of body movements
- Step 3. Determination of degree of semiotic complexity
- 4. Ways of expression action in multimodal narrations
- 4.1 Character viewpoint depiction involving a single articulator
- 4.2 Character viewpoint depiction involving two articulators
- 4.3 Character viewpoint depiction involving several articulators
- 5. Continuum of semiotic complexity
- 6. Concluding thoughts: Iconicity of action depiction and constructed action in gesture and sign language
- Acknowledgements
- References
- Nominal referential values of semantic classifiers and role shift in signed narratives
- 1. Introduction
- 2. Background
- 2.1 Dynamic semantics and salience
- 2.2 Previous work on reference-tracking in sign languages
- 2.3 A more complex account of salience
- 3. Referring expressions in signed narratives
- 3.1 Semantic classifiers
- 3.2 Double function of classifiers
- 3.3 Coarticulation of role shift and semantic classifiers
- 4. Accessibility in signed anaphoric chains
- 4.1 Licensing the identity equation and associative anaphora
- 4.2 Accessibility and semantic relations
- 5. Conclusions
- Acknowledgements
- References
- Between narrator and protagonist in fables of German sign language
- 1. Introduction
- 2. Role shift in sign languages
- 2.1 Terminology
- 2.2 Quotation role shift
- 2.3 Action role shift
- 3. Parallel perspectivation within action role shift in fables of German sign language
- 3.1 State of the art
- 3.2 Methodology and data
- 3.3 Types of parallel perspectivation
- 3.4 Simultaneously layered additions by the narrator within action role shift
- 4. A unified account for role shift
- 4.1 Action role shift at the gesture-grammar interface
- 4.2 Integrating A-RS in an agreement analysis
- 5. Conclusion
- References
- Index
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