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Powell, Daniel. Horror culture in the new millennium: digital dissonance and technohorror / Daniel W. Powell. — 1 online resource — <URL:http://elib.fa.ru/ebsco/1946309.pdf>.Record create date: 1/3/2019 Subject: Horror in literature.; Horror films — History and criticism.; Popular culture; LITERARY CRITICISM / Horror & Supernatural. Collections: EBSCO Allowed Actions: –
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"Horror Culture in the New Millienium surveys horror culture in the first two decades of the new millennium through a series of critical essays on the changing character of dark storytelling. It is a journey both into the complexity of the evolution of communication and the stories we tell about what it means to be human"--.
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Table of Contents
- Contents
- Abstract
- Acknowledgments
- Introduction
- 1 The Nature of Technohorror
- A Taxonomy of the Horrific
- Toward a Definition of Technohorror
- On the Nature of Medium, Production, and Content
- 2 Pioneering Platforms
- Interview Findings and theEvolving Digital Paradigm
- Recognizing an Eternal Narrative
- 3 From Folklore to Netlore
- Cultivating Digital Materiality
- Folklore as MeaningfulCommunication in Digital Contexts
- 4 Transcendence in Technohorror
- Posthumanism: Speculating beyond the Human Individual
- Degeneration: Overcoming the Broken Body
- Transcendence: Rejecting theBody for the Machine
- Reconnecting with Our Human Heritage
- 5 Technohorror and the Human Condition
- Technologies of Terror and the Loss of the Self
- Navigating the Paradox of Progressive Science and Natural Aging
- Toward a Healthy Approach to Life and Longevity
- 6 Programming Nightmares
- Interview Findings and AssessingHorror in the Twenty-First Century
- Recognizing the Dilemma
- Finding a Way Forward
- References
- Index
- About the Author
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