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Powell, Daniel. Horror culture in the new millennium: digital dissonance and technohorror / Daniel W. Powell. — 1 online resource — <URL:http://elib.fa.ru/ebsco/1946309.pdf>.

Record create date: 1/3/2019

Subject: Horror in literature.; Horror films — History and criticism.; Popular culture; LITERARY CRITICISM / Horror & Supernatural.

Collections: EBSCO

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"Horror Culture in the New Millienium surveys horror culture in the first two decades of the new millennium through a series of critical essays on the changing character of dark storytelling. It is a journey both into the complexity of the evolution of communication and the stories we tell about what it means to be human"--.

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Table of Contents

  • Contents
  • Abstract
  • Acknowledgments
  • Introduction
  • 1 The Nature of Technohorror
    • A Taxonomy of the Horrific
    • Toward a Definition of Technohorror
    • On the Nature of Medium, Production, and Content
  • 2 Pioneering Platforms
    • Interview Findings and theEvolving Digital Paradigm
    • Recognizing an Eternal Narrative
  • 3 From Folklore to Netlore
    • Cultivating Digital Materiality
    • Folklore as MeaningfulCommunication in Digital Contexts
  • 4 Transcendence in Technohorror
    • Posthumanism: Speculating beyond the Human Individual
    • Degeneration: Overcoming the Broken Body
    • Transcendence: Rejecting theBody for the Machine
    • Reconnecting with Our Human Heritage
  • 5 Technohorror and the Human Condition
    • Technologies of Terror and the Loss of the Self
    • Navigating the Paradox of Progressive Science and Natural Aging
    • Toward a Healthy Approach to Life and Longevity
  • 6 Programming Nightmares
    • Interview Findings and AssessingHorror in the Twenty-First Century
    • Recognizing the Dilemma
    • Finding a Way Forward
  • References
  • Index
  • About the Author

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