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Morais, Rui. Greek Art in Motion. — Oxford: Archaeopress, 2019. — 1 online resource (518 pages) — <URL:http://elib.fa.ru/ebsco/2273957.pdf>.

Record create date: 8/17/2019

Subject: Art, Greek — Congresses.; Art, Greek.

Collections: EBSCO

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Over 50 papers, first presented at the international congress 'Greek Art in Motion' (Lisbon, 2017) in honour of Sir John Boardman's 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.

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Table of Contents

  • Cover
  • Contents
  • Title Page
  • Copyright Page
  • Preface
    • John Boardman and Greek Sculpture
      • Olga Palagia
    • Sanctuaries and the Hellenistic polis: an architectural approach
      • Milena Melfi
    • ‘Even the fragments, however, merit scrutiny’
    • ‘Even the fragments, however, merit scrutiny’:1 ancient terracottas in the field and the museum
      • Lucilla Burn
    • The Good, the Bad, and the Misleading. A Network of Names on (mainly) Athenian Vases.
      • Thomas Mannack
    • Studying gems: Collectors and Scholars
      • Claudia Wagner
  • Sculpture
    • Godlike Images. Priestesses in Greek Sculpture
      • Iphigeneia Leventi
      • The nude Constantinople. Masterpieces of Greek sculpture at Byzantium according to the Greek Anthology1
      • Ornaments or amulets: a peculiar jewel on dedicatory statues
        • Olympia Bobou
  • Architecture
    • Greek Emporios in Chios
    • Kokona Roungou and Eleni Vouligea
    • Temples with a Double Cella
      • New Thoughts on a Little-Known Type of Temple
        • Ugo Fusco
  • Terracotas and Metal
    • Images of Dionysos, Images for Dionysos: The God’s Terracottas at Cycladic Sanctuaries
      • Erica Angliker1
    • An Unusual Sympotic Scene on a Silver Cup from Ancient Thrace: Questions of Iconography and Manufacture
      • Amalia Avramidou1
    • Forgeries in a museum: a new approach to ancient Greek pottery
      • Claudina Romero Mayorga1
    • Beyond trade: the presence of Archaic and Classical Greek Bronze Vessels in the Northern Black Sea area
      • Chiara Tarditi
  • Greek Pottery
    • Makron’s Eleusinian Mysteries: Vase-Painting, Myth, and Dress in Late Archaic Greece
      • Anthony Mangieri
    • Timagoras: an Athenian Potter to be Rediscovered
      • Christine Walter
    • Revisiting a Plate in the Ashmolean Museum: A new interpretation
      • Marianne Bergeron
    • The Greek pottery of the Tagus estuary
      • Ana Margarida Arruda and Elisa de Sousa
    • Vases on Vases. An Overview of Approaches
      • Konstantina Tsonaka
    • Intriguing Objects of Desire: Collecting Greek Vases, a Short History Unfolded
      • Daniela Freitas Ferreira1
    • Youth in an enclosed context: new notes on the Attic pottery from the Iberian Tútugi necropolis (Granada, Galera)
      • Carmen Rueda1 and Ricardo Olmos2
    • An overview of Brazilian Studies on Greek Pottery: tradition and future perspectives
      • Carolina Kesser Barcellos Dias1 and Camila Diogo de Souza2
  • Coins
    • Sculptures and coins. A contextual case study from Side
      • Alice Landskron1
    • The romanitas of Mark Antony’s eastern coins
      • João Paulo Simões Valério1
    • War and Numismatics in Greek Sicily: Two sides of the same coin
      • José Miguel Puebla Morón
    • Iconography of Poseidon in the Greek coin
      • María Rodríguez López
    • The Silver Akragatine Tetradrachms with quadriga: A New Catalogue1
      • Viviana Lo Monaco2
  • Gems and Glass
    • Why was Actaeon punished? Reading and seeing the evolution of a myth
      • José Malheiro Magalhães1
    • Greek Myth on Magical Gems: Survivals and Revivals
    • Paolo Vitellozzi
    • From routine to reconstruction
      • Susan Walker1
  • Greek History and Archaeology
    • The Database of the Iberia Graeca Centre
      • Xavier Aquilué, Paloma Cabrera and Pol Carreras
    • The Greeks overseas: a bioarchaeological approach
      • Tasos Zisis and Christina Papageorgopoulou
    • The Messenian island of Prote and its relation to navigation in Greece and the Mediterranean
      • Stamatis A. Fritzilas1
    • Naukratis - Yet Again
      • Astrid Möller
    • The Tomb of the Roaring Lions at Veii: Its Relation to Greek Geometric and Early Orientalizing Art
      • Gabriele Koiner
    • Perserschutt in Eretria? Pottery from a pit in the Agora
      • Tamara Saggini1
  • Greeks Overseas
    • A Bridge to Overseas
    • Chiara Maria Mauro1
    • Gandharan Odalisque: Mounted Nereids on Gandharan Stone Palettes
      • SeungJung Kim
    • The Attic Pottery from the Persephoneion of Locri Epizefiri between Ritual Practices and Worship
      • Elvia Giudice and Giada Giudice
    • Was Knossos a home for Phoenician traders?
      • Judith Muñoz Sogas1
    • Greek Divine Cures Overseas: Italian Realisations of the Greek Paradigm
      • Lidia Ożarowska1
  • Reception and Collecting
    • Wine and blood?
    • Nuno Resende
    • Pavlovsk Imperial villa and its collections: from the first stage of antiquities collecting and archaeology in Russia
      • Anastasia Bukina and Anna Petrakova
  • Art and Myth
    • Greek Myths Abroad
    • Valeria Riedemann Lorca
    • Karolina Sekita
    • Orphica non grata?
    • Geryon in Tatarli1
      • Malcolm Davies
    • New Identifications of Heroes and Heroines on the West Pediment of the Parthenon: The Case of P, Q, and R
      • Ioannis Mitsios
    • A new Sicilian curse corpus: blueprint for a geographical - chronological analysis of defixiones from Sicily
      • Thea Sommerschield1
    • Once again: A sacrificing goddess. Demeter - what´s up with her attribute?
      • Maria Christidis1 and Heinrike Dourdoumas2

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