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Pombo Nabais, Catarina. Deleuze's literary theory [[electronic resource]]: the laboratory of his philosophy / Catarina Pombo Nabais ; translated by Ronald Bogue ; preface by Jacques Rancière. — 1 online resource — <URL:http://elib.fa.ru/ebsco/2705639.pdf>.

Record create date: 12/15/2020

Subject: Literature — Philosophy.

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Table of Contents

  • Deleuze’s Literary Theory
    • Contents
    • Acknowledgments
    • Abbreviations
    • Preface
    • Translator’s Preface
    • Introduction: Toward a Cartography of Art
      • Art between Aesthetics and Ontology
        • Is There a Deleuzian Literary Aesthetics?
      • Aesthetics between a Theory of Conditions of the Sensible and an Analytic of Judgment: The Program of Transcendental Empiricism
      • Aesthetics and Philosophy of Nature
      • Transcendental Empiricism, Philosophy of Nature, Philosophy of Spirit: Questions of Method
      • Life between the Event and the Assemblage
    • Part I: Proust and Sacher-Masoch: Categories, Law, Madness
      • Introduction: Four, Three, Two
      • 1 The Proust of 1964: Toward a Kantian Theory of Literature
        • From the Table of Faculties to the Regional Ontology of Essences
        • Transcendental Empiricism: Nietzsche between the Genealogy of Morals and the Genealogy of the Faculties
        • The Return to Kant: The Discovery of the Doctrine of the Sublime as True Genesis of the Faculties
        • The Ontology of Essence as a Means of Constructing a Kantian Theory of Literature
      • 2 Sacher-Masoch: From the Phantasy to the Event
        • Literature between the Phantasm and the Imagination
        • The Transcendental of Perversion
        • Deleuze’s Contributions to a Theory of Masochism
        • Reason and Imagination in Perversion
        • Event and Phantasm in The Logic of Sense
      • 3 The Proust of 1970: The Literary Machine
        • The Law
        • The Death Instinct
        • The First Literary Machine
      • 4 The Proust of 1973: The Madness of the Narrator
        • From the Genesis of the Faculties to the Germination of Madness
        • Philosophy of Nature I: Sexuality
        • Philosophy of Nature II: The Madness of the Narrator and the Body without Organs
        • Philosophy of Nature III: The Concept of the “Assemblage”
    • Part II: Kafka and Bene: The Power of Literature
      • 5 Kafka—Of the Real in Order to Have Done with the Law and the Imagination
        • Introduction
          • Kafka Contra Oedipus
          • The Kafka-Rhizome
        • Entrance I: Literature and Law (Dimension of the Symbolic)
          • Two Versions of the Relation between Kafka and the Law
          • The Statement and Power
          • Pragmatics of Statements
          • Assemblages and Abstract Machines
        • Entrance II: The Statement and Desire (Dimension of the Real)
          • The Collective Assemblage of Enunciation
          • The Letters
          • The Short Stories
          • The Novels
        • Entrance III: Against the Aesthetic (Dimension of the Imaginary)
          • Minor Writing, Collective Affair
          • Be a Foreigner in One’s Own Language
          • Take the Materiality of Language for the Object of Desire
          • The Becomings of the Writer: Delirium against the Fantasy
      • 6 Carmelo Bene and the Real of Less
        • Introduction
        • The Theater of Nonrepresentation
        • The Real between the Actual and the Virtual: Power/Capacity [Puissance] and Potentiality
      • 7 Event and Assemblage: The Statement and the Haecceity
        • Introduction
        • Genesis of the Concept of the Event
          • Difference and Repetition: Sense and the Problem
          • Difference and Repetition: Sense and Event
          • Difference and Repetition: Idea and Problem
          • The Strata of the Event in The Logic of Sense
          • The Individuation of Assemblages
        • The Three Plateaus of the Relation Assemblage/Event
          • Events as What Is Put in Play by Statements Produced by Assemblages
          • A Realist Pragmatics
          • The Question of Individuation and Individuality
          • Vague Essences
    • Part III: Beckett and Melville: The Possibility of Literature
      • Introduction: From Power to the Possible
        • The Folds of Power
        • Ethics between the Possible and the Virtual in The Fold
      • 8 Art as Spiritualization of the Possible
      • 9 Bartleby or the Formula of the Incompossible
        • Introduction: Art between Critique and Clinique
        • The Formula
        • To Posit the Impossible: First Metaphysical Approach
        • Bartleby: A Nihilistic Aristotle?
        • Creation and Fabulation
        • The Formula of Becoming
        • Kafka and Melville: The Same Combat in the Invention of a People Who Are Missing?
      • 10 Beckett and the Exhaustion of the Possible
        • Introduction
        • The Four Forms of the Exhaustion of the Possible
          • Exhaustion of Words: Language I
          • “Dry Up the Flows of Voices”: Language II
          • Language III: Pure Image
          • “Extenuate the Potentialities of Space”
        • The Sublime Image
        • Bene and Beckett: From a Theater of Less to a Theater of Exhaustion?
        • The Spirit without Image and the Images of the Spirit: Thought between Cinema and Theater
      • Conclusion: The Deleuzian Vitalist Chaosmos
    • Works Cited
    • Index

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